{"id":8093,"date":"2023-06-09T15:40:16","date_gmt":"2023-06-09T13:40:16","guid":{"rendered":"https:\/\/skissernasmuseum.se\/?post_type=lagonda_event&p=8093"},"modified":"2023-09-14T15:00:38","modified_gmt":"2023-09-14T13:00:38","slug":"fountains-failures-futures-the-afterlives-of-public-art","status":"publish","type":"lagonda_event","link":"https:\/\/skissernasmuseum.se\/en\/calendar\/fountains-failures-futures-the-afterlives-of-public-art\/","title":{"rendered":"Fountains Failures Futures: The afterlives of public art"},"excerpt":{"rendered":"

Welcome to a public symposium. Research and discussion about public art frequently focuses on conditions of emergence and production for public works. Fountains Failures Futures starts at the other end \u2013 thinking about the afterlives of public art in relation to processes of decline, decay, acts of reparation and re-imagination, transformation, and change.<\/p>\n","protected":false},"author":8,"featured_media":8094,"template":"","lagonda_event_cat":[13,9],"lagonda_event_tag":[],"class_list":["post-8093","lagonda_event","type-lagonda_event","status-publish","has-post-thumbnail","hentry","lagonda_event_cat-ovrigt","lagonda_event_cat-samtal"],"acf":{"event_start_date":"2023-09-28 09:30:00","event_end_date":"2023-09-28 19:30:00","event_price":"book","event_location":"","event_text":"Registration and more details<\/strong><\/a>\r\n\r\nREGISTRATION CLOSES 20 SEPTEMBER 5PM<\/strong>\r\n

Welcome to the public symposium Fountains Failures Futures<\/h2>\r\nResearch and discussion about public art frequently focuses on conditions of emergence and production for public works. Fountains Failures Futures<\/strong> starts at the other end \u2013 thinking about the afterlives of public art in relation to processes of decline, decay, acts of reparation and re-imagination, transformation, and change.\r\n\r\nWe are interested in questions of sustainability,\u00a0custodianship, and whether \u201cfailed\u201d public artworks can be revitalised and thought anew. What are the implications for their authorship and ownership, and what challenges does this present for commissioners, artists, architects, and urban planners?\u00a0How can producers, owners and custodians of public artworks, and<\/em> the communities living with these works, anticipate and accommodate complex afterlives of public art?\r\n

GUEST SPEAKERS<\/h3>\r\nLisa Le Feuvre <\/strong>is a curator, writer, and editor. She is the inaugural Executive Director of Holt\/Smithson Foundation, the artist-endowed foundation dedicated to the creative legacies of the artists Nancy Holt (1938-2014) and Robert Smithson (1938-73), which is based in Santa Fe, New Mexico. Between 2010 and 2017 Le Feuvre directed the Henry Moore Institute, a centre for the study of sculpture. She has written extensively on the idea of failure as a productive force and was editor for the Documents of Contemporary Art edition titled Failure <\/em>(2010). Following her talk, Lisa will be in conversation with Jonatan Habib Engqvist<\/strong> \u2013 independent curator, writer and current editor of Swedish cultural magazine Ord&Bild<\/em>.\r\n\r\nJes Fernie <\/strong>is an independent curator, writer, and lecturer. Many of her projects are situated in the public realm beyond gallery walls. She writes and lectures extensively and has worked with a broad range of organisations including Tate, Serpentine Gallery, Turf Projects, Ikon Gallery,\u00a0Manchester International Festival,\u00a0Flat Time House, Firstsite, Skissernas Museum, Lund Cathedral, St Paul\u2019s Cathedral and the Royal College of Art. In 2021 she launched the Archive of Destruction<\/em>, a research project that brings together narratives around public sculpture that have been destroyed by rage, boredom, fear, greed and love.\u00a0Following her talk, Jes will be in conversation with Feras Hammami<\/strong> \u2013 researcher, writer and Senior Lecturer in Critical Heritage Studies at University of Gothenburg.\r\n\r\nDan Karlholm <\/strong>is a writer, art historian and Professor of Art History at S\u00f6dert\u00f6rn University in Stockholm. His research is on the theory and historiography of art, temporality, museum studies and effects of the Anthropocene. His latest books are Time in the History of Art: Temporality, Chronology, and Anachrony<\/em> edited with Keith Moxey (2018), and\u00a0Ekologisk konstvetenskap<\/em>, edited with Anna-Maria H\u00e4llgren (forthcoming 2023). Dan was Editor-in-chief of\u00a0Konsthistorisk tidskrift\/Journal of Art History\u00a0<\/em>2009\u20132019. Following his talk, Dan will be in conversation with Ingo Vetter<\/strong> \u2013 artist and Professor of Sculpture at the University of the Arts Bremen.\r\n\r\nPatrick Amsellem <\/strong>is Director of the Public Art Agency Sweden. He was previously Director of Skissernas Museum \u2013 Museum of Artistic Process and Public Art, and Associate Curator of Photography at the Brooklyn Museum, New York. He holds an M.A. and a Ph.D. in art history and architectural history from the Institute of Fine Arts at New York University. His research has focused on memory culture, memorials, and monuments after World War II.Following his talk, Patrick will be in conversation with Mattias K\u00e4rrholm<\/strong> \u2013 writer, researcher and Professor of Architectural Theory at the Department of Architecture and Built Environment, Lund University.\r\n\r\n \r\n

PUBLIC ART CASE STUDIES<\/h3>\r\nIn the last decade revision and contestation of historic monuments and memorials have gained global momentum. One of the aims of Fountains Failures Futures<\/strong> is to explore how these tensions can be related to other, seemingly benign, artistic objects situated in public spaces such as city squares, urban parks, redeveloped waterfronts and university campuses.\u00a0These artworks are frequently commissioned without public consultation and with intentions of permanence or longevity.\r\n\r\nTwelve different case studies<\/strong> were selected from an international open call and offer an intriguing range of public artworks and narratives on their afterlives.\r\n\r\n*Alex Hale & Gina Wall (<\/strong>Scotland)\r\n\r\n*Anahi Alviso Marino <\/strong>(France)\r\n\r\n*Ana Cristina Pansera de Araujo<\/strong>\u00a0(Brazil\/Argentina)\r\n\r\n*\u00c5sa Stjerna<\/strong>\u00a0(Sweden)\r\n\r\n*Carla Cruz & Angelo Ferreira de Sousa<\/strong> (Lab2PT, Portugal)\r\n\r\n*doris duhennois<\/strong>\u00a0(UK)\r\n\r\n*Gabriela Saenger Silva<\/strong>\u00a0(Brazil\/UK)\r\n\r\n*Hans van Houwelingen<\/strong>, Jack Engelbracht & Bram Kuypers <\/strong>(Netherlands)\r\n\r\n*James Carey<\/strong>\u00a0(Australia)\r\n\r\n*Jason E. Bowman<\/strong>\u00a0(UK\/Sweden)\r\n\r\n*Jenny Perlin<\/strong>\u00a0(USA\/Norway)\r\n\r\n*Louise Rollman<\/strong>\u00a0(Australia)\r\n\r\n \r\n\r\n \r\n\r\n\"Logotyper"},"_links":{"self":[{"href":"https:\/\/skissernasmuseum.se\/en\/wp-json\/wp\/v2\/lagonda_event\/8093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/skissernasmuseum.se\/en\/wp-json\/wp\/v2\/lagonda_event"}],"about":[{"href":"https:\/\/skissernasmuseum.se\/en\/wp-json\/wp\/v2\/types\/lagonda_event"}],"author":[{"embeddable":true,"href":"https:\/\/skissernasmuseum.se\/en\/wp-json\/wp\/v2\/users\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/skissernasmuseum.se\/en\/wp-json\/wp\/v2\/media\/8094"}],"wp:attachment":[{"href":"https:\/\/skissernasmuseum.se\/en\/wp-json\/wp\/v2\/media?parent=8093"}],"wp:term":[{"taxonomy":"lagonda_event_cat","embeddable":true,"href":"https:\/\/skissernasmuseum.se\/en\/wp-json\/wp\/v2\/lagonda_event_cat?post=8093"},{"taxonomy":"lagonda_event_tag","embeddable":true,"href":"https:\/\/skissernasmuseum.se\/en\/wp-json\/wp\/v2\/lagonda_event_tag?post=8093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}