- Open today 11–19
This extensive exhibition highlights Gunilla Klingberg's latest public projects, two large-scale designs for urban environments in Stockholm: "Virvelvind" (2021) for the facade of the Sergel Pavilion at Sergels torg and "Den röda tråden (Katarina)" (2025) for the entrance halls and waiting hall in the new Slussen bus terminal in Katarinaberget.
During a creative week at Skissernas Museum the curators from Routes of Resistance will collectively continue the process by exploring each other’s material to create a joint form of expression, negotiating polyphonic, more complex perspectives on global artistic routes of resistance. In Birgit Rausing's Hall, this process-based project develops in the form of an exhibition, workshops, talks, screenings and performance.
In an upcoming exhibition artist and researcher EvaMarie Lindahl makes new readings and artistic investigations of the museum’s and Lund University’s art collections.
You can enjoy the art in The Sculpture Park whenever you want to. The park features international and Swedish art created for the space as well as replicas of works which are displayed elsewhere.
The International Gallery presents a selection of permanent and temporary projects from the end of the 1800s until today. Here you can discover unique sketches by artists such as Henri Matisse, Sonia Delaunay, Jenny Holzer and Fernand Léger.
The museum has one of Europe's foremost collections of sketches by Mexican monumental painters such as Diego Rivera and David Alfaro Siqueiros.
In The Swedish Gallery, you can take part of sketches for public works of art in Sweden from the first years of the 20th century until today. Works by Sigrid Hjertén, Isaac Grünewald and Siri Derkert and contemporary artists such as Linn Fernström, Carolina Falkholt and Matthias van Arkel are shown here.
Sketches provide an insight into the artistic process, how ideas are explored and how works of art take shape. Here you can follow several artists in their process, from inspiration and early idea to finished work.
Which people and events are represented in our shared spaces and which narratives have been left out? These rooms contain sketches and models for monuments, memorials and memorial sites from the early 1900s to the present day.